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There is no rule which prevents an Easy Listening album from venturing into the murkier side, the shadier interstices, the twilight hours, but all the moon-related titles and darkly romantic sparklers aside, the opener Dark Eyes, based on a traditional melody that has been resurrected and interpreted by lots of composers, is mightily arcane: a male choir hums along to whirling string cascades, appended harp helixes and mucoid double bass bumps, and granted, there must be shifting tempos and lead fiddles to fully encapsulate the clichГ© level in regard to the presumed compunction gypsies are entrapped in. Here is an in-depth reviewВ about a curious gem. There is a reason for this album to appear at the Exotica Review section, and granted, it is no good reason to be honest, but I guess it doesnвЂ™t hurt to jump the shark once in a while вЂ“ unless one happens to fall back on oneвЂ™s feet. Mixed vocals, mostly of enchantresses, are sewn into the sceneries and reappear time and again. Strings you can expect alright, but there are also flutes, accordions and tramontane guitars embroidered in the soundscape. The six tracks are all based on traditional music or comparably old and thus truly classic material. Being inspired by Romani folk tunes and the mysterious aura that surrounds the so-called gypsy movements, the album promises freedom, independenceвЂ¦ and partial authenticity. MillerвЂ™s Somerset label, Gypsy Campfires is a six-track LP whose sparse selection of compositions allows for larger вЂ“ gigantic by Easy Listening standards вЂ“ sections and segments, with the runtimes of the presentations crossing the mark of five minutes more often than not. And now it comes down to this: Gypsy Campfires belongs to neither category! Not every object is of value to the Easy Listening and Exotica aficionado. Their first sparkler A Night In The TropicsВ (1957) was an accidental Exotica artifact of the symphonic kind, but the hundreds of subsequent albums released by the ever-changing collective are few and far between.

It sits prominently in my Top Ten of 2012вЂ¦ so far.The 101 Strings are more of a brand than a band, having visited every genre, style and craze from the 50вЂ™s onwards. In fact, I just left a copy with my dad, who is a huge Steely Dan fan. This is an album you could give your parents. Shintaro Sakamoto вЂ“ In A Phantom Mood by Other Music Recording CoДЄ welcome departure from his previous group, as they tended to waver between indie rock and experimental pop. Lighter and more whimsical, SakamotoвЂs music fits somewhere between the upstroke of West African highlife and retro pop of Pizzicato Fivewith those soulful background vocals of The Dan. I know it hasnвЂ™t escaped the attention of Chris Douridas, who played both artists back to back a couple of weeks ago. The first thing you may notice about SakamotoвЂs new album is itвЂ™s resemblance to Steely Dan. iTunes has a couple of their albums, too, if youвЂ™re interested. Interesting that itвЂ™s his first, because Yura Yura Teikoku have been cranking out albums steadily since 1992.

#Pizzicato sylvan how to#

Formally leader of JapanвЂ™s Yura Yura Teikoku, Shintaro Sakamoto has just released his first solo album on Other Music Recordings called How To Live With A Phantom.